This page lists forthcoming activities of the participating societies and of their European friends. Most of the entries link to a call for papers; a separate page lists these calls by date of the deadline. Past activities are recalled in the Archive.
• 30 April-1 May 2025, Theory and Analysis Graduate Students (TAGS) Conference, Department of Music, Royal Holloway, University of London. Submission deadline 3 January 2025.
• 9 May 2025, Incontri Web sul rapporto tra Analisi Musicale e attività performativa. Antonio Grande, “Analisi musicale e Performance Studies: un incontro costruttivo.”
• 11 May 2025, Roundtable Panel Discussion Modal/Tonal Musical Tree, Neuroscience and Therapy, Cloister of the Church of San Lorenzo, home to Ocean Space, Venice, Italy.
• 16 May 2025, Incontri Web sul rapporto tra Analisi Musicale e attività performativa. Vittoria Ecclesia, “La Riflessione come Pratica: Ricerca, Analisi e Performance.”
• 30 May 2025, Incontri Web sul rapporto tra Analisi Musicale e attività performativa. Giusy Caruso, “Nuove frontiere nell’analisi della performance musicale.”
• 13 June 2025, Incontri Web sul rapporto tra Analisi Musicale e attività performativa. Fabrizio Nastari, “Il compositore e i suoi collaboratori: materiali, metodi e persone.”
• 13 July 2025, McrMAC Study Day 2025, SMA’s Formal Theory Study Group (FTSG). Martin Harris Centre of Music and Drama, University of Manchester.
• 27 June 2025, Incontri Web sul rapporto tra Analisi Musicale e attività performativa. Michele Russo, “La performance compositiva: per uno studio sistematico della micro-cronologia di stesura delle varianti.”
• 14-16 July 2025, Manchester Music Analysis Conference (McrMAC 2025), Martin Harris Centre for Music and Drama, University of Manchester. Submission deadline 21 February 2025.
• 17-19 July 2025, Fourth Summer School on popular music theory and analysis, University of Liverpool. Applications deadline 25 April 2025.
• 2-5 October 2025, 22nd International Conference on Music Theory and Analysis, Salerno, “G. Martucci” Conservatory of Music, Via G. Paesano 2. Submission deadline 10 June 2025.
• 17-19 October 2025, „Unschärfen, Leerstellen, blinde Flecken“ (“Fuzzy, Empty, Blind Spots”), 25th Annual Conference of the GMTh, Musikhochschule Lübeck. Submission deadline 15 May 2025.
• 18-19 October 2025, Transcription and Arrangement: Analysis and Rewriting in the Repertoires of the History of Music, Study and Research Days, Conservatorio Statale di Musica “Maderna-Lettimi” – sede di Rimini, Via Cairoli 44, Rimini. Submission deadline 15 July 2025.
• 24-26 October 2025, 16th Symposium FIMTE, Scarlatti 40 years on, Vera, Almeria, Andalusia, Spain. Deadline for abstracts: 10 June 2025.
• 20-22 November 2025, 2d International Congress of the SATMUS, University of Oviedo. Submission deadline 1 March 2025.
• 26-28 March 2026, 2d edition of the International Colloquium Modality in French Music at the Turn of the Twentieth Century, Paris, Sorbonne University and La Grange-Fleuret Library. Submission deadline 15 June 2025.
• 2-6 June 2026, “Music as a Meaningful Art”, 16th International Congress on Musical Signification (ICMS 16), Sibelius Academy of the University of the Arts Helsinki in collaboration with the University of Helsinki. Call for papers to be published in Spring of 2025.
• 2-4 October 2026, 26th Annual Conference of the GMTH, Martin Luther University, Halle (Saale). Details to be announced.
If you want to announce a European activity in the field of music theory and/or analysis, write us at europeanmusictheory@gmail.com